Alper Cugun

@alper.nl 🦋 • Joined 6 days ago

Doing Platform Engineering in Berlin Now: Uiua, Iceland 14/8-2/9, road cycling, Claude Code, Cuppin.gs, 十一月日本にハイキング旅行を計画しています, Gleam, mountains

Library

Reviews

Critical Design in Context: History, Theory, and Practiceby Matt Malpass(2 ⭐)

As somebody who was active in this field I felt I needed to read this book maybe just to see what it was all about.<br/><br/>There are issues at two levels here:<br/><br/>The book is a litany of examples taken from the field with some contextualization and filler added in between. The definition and model around the way we should think about critical design is better than not having anything but generally seems to me to be relatively arbitrary (as these things always are). As such the book is a useful period inventory—with texts like those you would write up in a gallery—but conceptually there isn't that much there.<br/><br/>The much more serious problem of a book like this is its lack of a critical (!) approach to the work it's treating. It rightly points out that this kind of work is very much at risk of being 'navel gazing' but does not diagnose that both its treatment and the subject matter do very little to break out of that frame. We are left with general prescriptions like "Critical design should [engage with others]" and more hollow words along those lines.<br/><br/>Here's my take after reading the book: Critical design has been a movement where designers tried to claw themselves up out of the purely visual realm into areas of more strategic consequence (the proverbial "seat at the table"). The work they produced remained almost entirely seated in the visual media and a lot of it was the non-functional aesthetization of pre-existing concepts from science-fiction and philosophy.<br/><br/>That would be fine so far but because the work was never functional in any real way it has not survived the reality vortex of the past five years where everything has turned into a work of fiction. Many startups are scams ('design fictions') of some sort and the high-concept rug pull is the currency of our techno-visual world. Is there space for critical design in a world where everything needs to be criticized but nothing can be? It doesn't look like it but that kind of reinvention is the core job of these practitioners and I'm curious to see what they come up with.

Bizim Büyük Çaresizliğimizby Barış Bıçakçı(4 ⭐)

First of all, it's an absurd privilege to be able to read modern Turkish literature in the original, dipping in the richness of the Turkish language and without the wait for or the adulteration of a translation. (Oh how screwed you are if you have to translate one of these to Dutch. Maybe German would be a better target language, but even then… the result would be German.)<br/><br/>The book is more or less a single long letter, or lament of one friend (Ender) to another (Çetin) about a crucial period in their life where they shared their house with a girl (Nihal), how they both fell in love with her and how that ended. That direct address to the reader gives the book a breathlessness that draws you in and keeps you reading, chapter after short chapter.<br/><br/>But the love story is a sideshow to the main act that is the friendship between the two main characters. Nihal herself isn't much more than a prop both for our writer Ender and for the book itself.<br/><br/>And a deep and amazing friendship it is of two lifelong bachelors, sharing an apartment and while having two vastly different lives and personalities, also sharing pretty much everything else with each other. The kind of friendship that isn't <I>that</I> suspect (though of course it is somewhat suspect, because come on…) because this closeness between males is much more accepted in Mediterranean culture. A friendship so grand and enough for itself that it leaves no space for anything or anybody else. Except of course for Nihal, if she will have it.<br/><br/>Minor quibbles are that for all its words the book stays a bit on the surface when it comes to emotions, doesn't deliver any raunchiness (which in this day and age should be no issue) and draws exclusively from a typically Turkish lyrical style which—well written and <I>beautiful</I>—is somewhat too familiar.<br/><br/>Now I'm definitely curious to see <a href="https://letterboxd.com/film/our-grand-despair/">the movie</a>.